Mirtilla, A Pastoral

In their annotated edition and translation of Isabella Andreini’s La Mirtilla, Valeria Finucci and Julia Kisacky give expert and much-deserved attention to a watershed text — one of the first two early modern plays, along with Maddalena Campiglia’s Flori, authored by a woman in Italy. Finucci’s introduction adroitly guides readers through Andreini’s fascinating life as a poet, performer, wife, dramatist, and international celebrity. Kisacky’s nuanced translation allows English-language readers to find equal enjoyment in Andreini’s comic and pastoral modes. The result puts a fresh face on a now-canonical play that will be accessible to undergraduates approaching the text for the first time, while allowing scholars of early modern theater and women’s writing to find a renewed appreciation for Andreini and her work.
—Sara E. Díaz
Assistant Professor of the Practice of Italian, Fairfield University

"In their annotated edition and translation of Isabella Andreini’s La Mirtilla, Valeria Finucci and Julia Kisacky give expert and much-deserved attention to a watershed text—one of the first two early modern plays, along with Maddalena Campiglia’s Flori, authored by a woman in Italy. Finucci’s introduction adroitly guides readers through Andreini’s fascinating life as a poet, performer, wife, dramatist, and international celebrity. Kisacky’s nuanced translation allows English-language readers to find equal enjoyment in Andreini’s comic and pastoral modes. The result puts a fresh face on a now-canonical play that will be accessible to undergraduates approaching the text for the first time, while allowing scholars of early modern theater and women’s writing to find a renewed appreciation for Andreini and her work."
  ~Sara E. Díaz, Fairfield University